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symbolistic - перевод на арабский
![''[[Salammbô]]'' (1907) by [[Gaston Bussière]]](https://commons.wikimedia.org/wiki/Special:FilePath/Bussiere,Gaston - Salammbo, 1907.jpg?width=200 "''[[Salammbô]]'' (1907) by [[Gaston Bussière]]")
![[[Eugen Bracht]], ''The Shore of Oblivion'', 1889](https://commons.wikimedia.org/wiki/Special:FilePath/Eugen Bracht - Das Gestade der Vergessenheit (1889).jpg?width=200 "[[Eugen Bracht]], ''The Shore of Oblivion'', 1889")
![hu}}, ''The Symbolist'', 1908, satirical piece in [[Art Nouveau]] style](https://commons.wikimedia.org/wiki/Special:FilePath/Faragó, Géza - The Symbolist (1908).jpg?width=200 "hu}}, ''The Symbolist'', 1908, satirical piece in [[Art Nouveau]] style")
![''[[Pornocrates]]'', by [[Félicien Rops]], etching and [[aquatint]], 1878](https://commons.wikimedia.org/wiki/Special:FilePath/Félicien Rops - Pornokratès - 1878 (2).jpg?width=200 "''[[Pornocrates]]'', by [[Félicien Rops]], etching and [[aquatint]], 1878")
![[[Henri Fantin-Latour]], ''By the Table'', 1872, depicting: [[Paul Verlaine]], [[Arthur Rimbaud]], Léon Valade, Ernest d'Hervilly and [[Camille Pelletan]] (seated); Pierre Elzéar, Emile Blémont, and [[Jean Aicard]] (standing)](https://commons.wikimedia.org/wiki/Special:FilePath/Henri Fantin-Latour - By the Table - Google Art Project.jpg?width=200 "[[Henri Fantin-Latour]], ''By the Table'', 1872, depicting: [[Paul Verlaine]], [[Arthur Rimbaud]], Léon Valade, Ernest d'Hervilly and [[Camille Pelletan]] (seated); Pierre Elzéar, Emile Blémont, and [[Jean Aicard]] (standing)")
![[[Pierre Puvis de Chavannes]], ''Jeunes Filles au Bord de la Mer'' ("Young Girls on the Edge of the Sea"), 1879, [[Musée d'Orsay]], Paris](https://commons.wikimedia.org/wiki/Special:FilePath/On the Edge of the Sea.jpg?width=200 "[[Pierre Puvis de Chavannes]], ''Jeunes Filles au Bord de la Mer'' (\"Young Girls on the Edge of the Sea\"), 1879, [[Musée d'Orsay]], Paris")
![Petrushka]]'' in 1911](https://commons.wikimedia.org/wiki/Special:FilePath/Petrutxca de Fokine-1911.jpg?width=200 "Petrushka]]'' in 1911")
![[[Victor Vasnetsov]], ''The Knight at the Crossroads'', 1878](https://commons.wikimedia.org/wiki/Special:FilePath/TheKnightAtTheCrossroads.jpg?width=200 "[[Victor Vasnetsov]], ''The Knight at the Crossroads'', 1878")
![[[John William Waterhouse]], ''Saint Cecilia'', 1895](https://commons.wikimedia.org/wiki/Special:FilePath/Waterhouse, John William - Saint Cecilia - 1895.jpg?width=200 "[[John William Waterhouse]], ''Saint Cecilia'', 1895")
![Portrait of [[Charles Baudelaire]] (c. 1862), whose writing was a precursor of the symbolist style](https://commons.wikimedia.org/wiki/Special:FilePath/Étienne Carjat, Portrait of Charles Baudelaire, circa 1862.jpg?width=200 "Portrait of [[Charles Baudelaire]] (c. 1862), whose writing was a precursor of the symbolist style")
![[[Gustav Klimt]], Allegory of Skulptur, 1889](https://commons.wikimedia.org/wiki/Special:FilePath/Gustav Klimt - Allegory of Sculpture - 1889.jpg?width=200 "[[Gustav Klimt]], Allegory of Skulptur, 1889")
![[[Jan Toorop]], ''The Three Brides'', 1893](https://commons.wikimedia.org/wiki/Special:FilePath/Toorop, De drie bruiden, 78x98 non bruid helbruid.jpg?width=200 "[[Jan Toorop]], ''The Three Brides'', 1893")
![[[Fernand Khnopff]], ''Incense'', 1898](https://commons.wikimedia.org/wiki/Special:FilePath/Fernand Khnopff - Incense - Google Art Project.jpg?width=200 "[[Fernand Khnopff]], ''Incense'', 1898")
![[[Mikhail Vrubel]], ''The Swan Princess'', 1900](https://commons.wikimedia.org/wiki/Special:FilePath/Swan princess.jpg?width=200 "[[Mikhail Vrubel]], ''The Swan Princess'', 1900")
![[[Franz von Stuck]], ''Susanna und die beiden Alten'', 1913](https://commons.wikimedia.org/wiki/Special:FilePath/Stuck Susanna.jpg?width=200 "[[Franz von Stuck]], ''Susanna und die beiden Alten'', 1913")
![Russian symbolist]] poet display the continuity between symbolism and [[Art Nouveau]] artists such as [[Aubrey Beardsley]].](https://commons.wikimedia.org/wiki/Special:FilePath/Bloktheatre.jpg?width=200 "Russian symbolist]] poet display the continuity between symbolism and [[Art Nouveau]] artists such as [[Aubrey Beardsley]].")
![[[Alfred Kubin]], ''The Last King'', 1902](https://commons.wikimedia.org/wiki/Special:FilePath/The last king.jpg?width=200 "[[Alfred Kubin]], ''The Last King'', 1902")
![[[Franz von Stuck]], ''Die Sünde'', 1893](https://commons.wikimedia.org/wiki/Special:FilePath/Franz von Stuck - Die Sünde 1893.jpg?width=200 "[[Franz von Stuck]], ''Die Sünde'', 1893")
![[[Sascha Schneider]] ''The Feeling of Dependence'', 1920](https://commons.wikimedia.org/wiki/Special:FilePath/Gefühl der Abhängigkeit.jpg?width=200 "[[Sascha Schneider]] ''The Feeling of Dependence'', 1920")
![[[Gustave Moreau]], ''[[Jupiter and Semele]]'', 1894–85](https://commons.wikimedia.org/wiki/Special:FilePath/Jupiter and Semele by Gustave Moreau.jpg?width=200 "[[Gustave Moreau]], ''[[Jupiter and Semele]]'', 1894–85")
![[[Ferdinand Hodler]], ''The Night'', 1889–90](https://commons.wikimedia.org/wiki/Special:FilePath/Ferdinand Hodler 005.jpg?width=200 "[[Ferdinand Hodler]], ''The Night'', 1889–90")
![[[Arnold Böcklin]] – ''Die Toteninsel I'', 1880](https://commons.wikimedia.org/wiki/Special:FilePath/Arnold Böcklin - Die Toteninsel I (Basel, Kunstmuseum).jpg?width=200 "[[Arnold Böcklin]] – ''Die Toteninsel I'', 1880")
![[[Jacek Malczewski]], ''Poisoned Well with Chimera'', 1905](https://commons.wikimedia.org/wiki/Special:FilePath/Malczewski Jacek Przy studni.jpg?width=200 "[[Jacek Malczewski]], ''Poisoned Well with Chimera'', 1905")
![[[Mikhail Nesterov]], ''[[The Vision of the Youth Bartholomew]]'', 1890](https://commons.wikimedia.org/wiki/Special:FilePath/Mikhail Nesterov 001.jpg?width=200 "[[Mikhail Nesterov]], ''[[The Vision of the Youth Bartholomew]]'', 1890")
الصفة
رَمْزِيّ
Википедия
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism.
In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art.
